Full-Year Continuing Appropriations Act, 2011

Floor Speech

Date: Feb. 16, 2011
Location: Washington, DC

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AMENDMENT NO. 196 OFFERED BY MR. WALBERG

Mr. WALBERG. Mr. Chairman, I have an amendment at the desk.

The Acting CHAIR. The Clerk will designate the amendment.

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The Acting CHAIR. The gentleman from Michigan is recognized for 5 minutes.

Mr. WALBERG. Mr. Chairman, currently, the CR funds the National Endowment for the Arts at the approximate fiscal year 2008 level of $145 million. Amendment No. 196 takes the funding levels back to the fiscal year 2006 levels at $124.4 million. If accepted, this cut returns $20.6 million to the spending reduction account.

Though some would call for the full defunding of the NEA, I'm not doing that. You see, I believe in the true fine arts, and of course that's defined by individual standards, I understand. I found that to be a fact for a number of years when I was a finance chair of a symphony orchestra. People will support what they appreciate.

However, at a time when our government is in a position where it must cut Federal spending, I believe one of the main sources of the funding for the arts needs to be through philanthropy, but that only happens best in a sound and a growing economy. This budget crisis, this economy, continues to be frustrated by the spending of government, which frustrates individuals, who, indeed, would be willing to support and, in fact, still do support the arts as well.

The National Endowment for the Arts does provide benefits to our country, and helps fund some true fine arts. However, we are asking them to only fund their true priorities, priorities approved by the majority of taxpaying citizens, of sponsors and of patrons of the arts. Limiting resources sometimes refocuses and defines that focus.

We know that the public has had questions on some of the programs that the NEA has supported--major questions, major concerns. Attention to those concerns will gain the support of the taxpayer as well as of the philanthropist. Our country is in financial hardship, and we are not taking programs like the NEA off the table.

I refer to a letter I received last night from a very strong patron of the arts, of the symphony for which I served as a finance chair. He is the chairman of a major manufacturing corporation in my district, who is writing about what they have just gone through as a business. I will just read excerpts:

Until today, we have been operating under a forbearance agreement that began in 2008. It has been a struggle. Our leadership group accepted 15 to 50 percent cuts in salary, and our hourly staff accepted 10 percent wage reductions. Our salesmen continue to find new opportunities. We reduced our spending tremendously and only spent for essentials. Our belt was very tight. We did all we could to help ourselves, and we all made many sacrifices. Above all, we never stopped believing in our future.

That's the type of impact that happens in the private sector, even in programs we enjoy, benefit from and help out on, that we need to understand. Our country is in financial hardship, and we are not taking programs, even like the NEA, off the table.

I yield back the balance of my time.

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